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dollshow

AUSTIN DOLL COLLECTORS SOCIETY

The Austin Doll Collectors Society is an organization of antique, vintage, and modern doll collectors, dealers, and artisans. We meet on the second Sunday of each month and our meetings are fun and educational. We begin with refreshments and socializing, and, following our brief business meeting, there is a special doll-related program and "show and tell." The Austin Doll Collectors Society is a nonprofit organization and is a member of the United Federation of Doll Clubs.
Showing posts with label Chinese. Show all posts
Showing posts with label Chinese. Show all posts

Wednesday, September 22, 2021

September 12, 2021, Meeting


The Austin Doll Collectors Society had its first in-person meeting in over a year, congregating at member Sharon Weintraub's home. Sharon gave a program on Asian character dolls by German and French bisque doll makers. She explained that although the spice trade between Asia and Europe dates back thousands of years, by the 16th century European merchants, often with military support, had seized control of the trade routes, gaining a foothold in the East. The Chinese Qing dynasty losses to Britain and its European allies in the First (1839-42)  and Second Opium Wars (1856-1860) forced China to grant Western companies favorable trade concessions and concede territory to their control. In 1853 American Commodore Mathew Perry sailed into Tokyo harbor, beginning the re-establishment of trade and contact with Japanese, who had closed off their country to most foreigners in 1639. By the 1870s, these trading concessions had expanded into colonial control, with Britain, France, and the Netherlands claiming territories throughout Southeast Asia and the Indian subcontinent. The explosion in magazines and newspapers helped bring images and stories of Asian nations and people to the average European. Schoolchildren learned about their countries' colonies and their peoples. Advances in printing made colorful children’s books widely available and affordable and fanciful stories and characters from the East began to appear in the pages of children’s storybooks. All of the interest in the East inspired both French and German doll companies to create dolls representing Chinese, Japanese, Burmese, and other Asian peoples. In some cases, the dolls were little more than colorful stereotypes while other manufacturers strove for more ethnically correct features and clothing. 

The cheerful Asian infant doll belongs to member Jenell Howell. He is by J.D. Kestner and is on a ball-jointed toddler body, rather than the more typical bent limb baby body. Next to him is Mold 1329 by Simon and Halbig, dressed in an antique outfit of a Manchu noblewoman, including the unusual platform shoes.  

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Another Asian baby by Kestner, this time in a diminutive all-bisque version. He wears his original, but now fragile, silk outfit. His "slippers" were created by painting the soles of his bare feet black and gluing cord around the edges.


Two more Asian characters by Simon and Halbig. The smaller doll is all-bisque and dressed in an antique embroidered kimono.  She has molded blue slippers with upturned toes.  The other doll is Mold 1129 and is all original.


These 4.5-inch high charming cherubs are Chin-Chin Baby by Gebruder Heubach. Each carries the Heubach square mark faintly incised on the soles of the feet. Made to compete with the popular Kewpie doll, the Chin-Chin Babies came in a variety of headdresses. The girl in the center has her original paper tags.


Another Chin-Chin Baby in a bright orange and blue cap next to a Queue San Baby by Morimura Brothers of Japan.  The two dolls are often confused, as the Queue San is clearly a copy of the Chin-Chin. However the Queue San Baby is larger, with rougher bisque and with less distinct modeling.


All original, this beautiful baby is by Armand Marseille. Incised on the back of the head is the name "Ellar" inside of a six-pointed star. Marseille produced heads for other factories and distributors, but just who "Ellar" is remains a mystery. 


German companies produced a variety of all-bisque Asian dolls. The little lady is the crocheted blue kimono is by Carl Horn and is just 1.75 inches high, including her yarn wig. The minute man in the red cap is by Hertwig and Company. He has a painted dropping mustache and has a little yarn queue inserted in the back of his cap.


French doll makers also produced Asian dolls.  The largest doll is a bit of a mystery. He has a French fashion style shoulder head on a fully jointed twill-covered body with bisque lower arms and lower legs with bare feet. The clothing is old and fragile.  The two tiny dolls are Lilliputiens. Just 2.5 inches tall, these all-bisque dolls were available in a wide variety of costumes, including French regional and historical dress, storybook characters, and ethnic dolls. Like all Lilliputiens, they have swivel necks with a molded loop and painted features.  The pair wear their original costumes and the man has a braided queue inserted into the back of his bald pate.


Elaine Jackson brought her 1950s Kathe Kruse doll to share.



















Thursday, February 11, 2021

新年快乐 (Happy New Year!)

As noted previously on this blog, the Chinese New Year, also known as the Lunar New Year, falls on Friday, February 12th. This 18-inch tall Simon and Halbig character doll by Simon and Halbig is mold 1329 and doll wears an antique costume typical of an upper class Manchu woman of the Chinese Qing dynasty. The bisque head has a soft olive complexion and brown almond-shaped sleep eyes. Her ball-jointed composition body matches her head's skin tone. This mold can be found dressed various Asian costumes, such as Chinese, Japanese, and Burmese. The original outfits are often detailed and of silk and other fine materials. Many of these dolls were sent to France, where they were dressed in authentic costumes for exhibit. The Manchu, a Chinese ethnic minority originating from Manchuria, established the Qing Dynasty, which ruled China from 1644 through 1911. They retained elements of their original culture, including the style of dress. Her long loose gown is called a qipao. The elaborate embroidery would indicate a woman's rank and status. The headdress is a replacement, but is made of antique materials.


Manchu women did not bind their feet. Upper class women wore tall platform shoes with a base shaped like a flower pot or horse’s hoof, so the shoes are sometimes referred to as “pot-bottom” or “horse-hoofed."  The upper part of the shoe was adorned with embroidery and, for the wealthy or noble ranks, jade and other precious stones. The shoes were considered to gave Manchu women a tall and regal stance.