dollshow

dollshow

AUSTIN DOLL COLLECTORS SOCIETY

The Austin Doll Collectors Society is an organization of antique, vintage, and modern doll collectors, dealers, and artisans. We meet on the second Sunday of each month and our meetings are fun and educational. We begin with refreshments and socializing, and, following our brief business meeting, there is a special doll-related program and "show and tell." The Austin Doll Collectors Society is a nonprofit organization and is a member of the United Federation of Doll Clubs.

Thursday, November 20, 2025

November 9, 2025, Meeting

November's meeting was a little different. Our club has been collecting donations to contribute to Austin's Blue Santa program, which provides toys to economically disadvantaged children. We had someone generously donate her childhood collection of Madame Alexander dolls, mainly eight-inch Alexander-kins in the traditional dress of different countries. These were later dolls, dating from the 1970s and later, and although the dolls and their colorful costumes were in excellent condition, the original latex bands used to string them had deteriorated. Some of the dolls were wobbly and others were already coming apart. We certainly couldn't give them to little girls in that condition. So our November meeting was a restringing bee, with some members undressing or re-dressing the dolls, while others restrung the dolls with sturdy new elastic. 


Some of the restored dolls read to go to their new homes.


This was actually the second collection of Alexander-kins dolls donated to the club. This earlier collection was also in wonderful unplayed-with condition, but suffered from the same deteriorated rubber bands, and previously members Jenell Howell and Sharon Weintraub had restrung this earlier donation. Some of the dolls still had their boxes; for the others, Jenell donated a cache of extra Madame Alexander boxes and Sharon contributed white gift boxes, so every doll had a box and was ready for gift wrapping. Over 60 beautiful Madame Alexander dolls were donated to Blue Santa.



Wednesday, November 12, 2025

It's the Season for Giving. . .

 . . . and the Austin Doll Collectors Society today donated eight boxes of dolls and toys to the Austin Blue Santa  toy drive. The toys themselves were actually a generous donation from the family of former member Audrey Caswell. The toys, most still sealed in their original packages, were part of Audrey's collection and had been sitting in a storage unit. Now they will brighten the holiday season for many economically disadvantaged girls. . . and a few boys as well. 







Sunday, November 2, 2025

October 12, 2025, Meeting

Jan Irsfeld gave a program on goddesses, celestial, movie, and royal, using examples from her collection of Cissy dolls by Madame Alexander. She explained that Madame Alexander was fascinated by powerful and successful women. Peeking out in the far left corner is a Cissy, dressed by Jan, representing  Hatshepsuta female pharaoh who reigned in the fifteenth century B.C.E.; she qualifies as a goddess because the pharaohs were considering living deities. The dolls on the table represent more modern goddesses of the silver screen. Starting from the left, the luscious lady in white represents Hollywood, while the others are Madame Alexander's  interpretation of actual actresses; Grace Kelly in icy blue, Vivian Leigh as Scarlett O'Hara, Marilyn Monroe, and Elizabeth Taylor.




Elizabeth Taylor models a hand-beaded gown designed by Jan.


Alexander also created many queens. This is an all-original Queen Elizabeth II.


Elizabeth I is represented by a Cissy dressed in authentic Elizabethan garb by Jan. Next to her is "Royal Reception" by Alexander.


French queen Marie Antoinette in her original bejeweled and embroidered gown by Alexander.


In opera, a "diva" is a celebrated female singer, and the word is derived from the Italian for goddess or divine. This Cissy represents Madame Butterfly from the famous opera by Giacomo Puccini.


However, this sassy swashbuckler is more devilish than divine. . . .


Jan shared two more scintillating Cissy dolls, including this flamboyant flapper. . . 


. . . and her favorite Cissy, reduced nude from an Austin doll shop, whom Jan has since restored and elevated to a goddess.


Elaine Jackson shared this wooden Hitty, currently the queen of her Hitty House, carved by member Elaine McNally. 


Jenell Howell brought this goddess of the night, Evangeline Ghastly by Robert Tonner.


David Craig had an earlier example of the eerily beautiful Evangeline. 


Another Tonner doll belonging to David is Ellowyne Wilde, ready for trick or treating in a Halloween outfit made for her by a friend of David's.


Bette Birdsong brought another movie goddess, a Gene doll designed by Mel Odom. In keeping with the season, Jenell shared this Sasha in fall colors.


Sharon Weintraub displayed a trio of little bisque fairies by the German firm of Hertwig and Company, noting that fairies were the subjects the fairy queen and the elfin court.




She also shared this bewitching bisque witch. Witches were thought to worship Hecate. Hecate was originally a Greek goddess, who was the protector of liminal spaces and borders, such as thresholds and doors, and was associated with the night, the moon, and magic. 


Myrna Loesch displayed this doll dress created by the Milwaukee Works Progress Administration (W.P.A.). The W.P.A., which operated from 1939 to 1942, provided work and job training for thousands of unemployed Americans during the Great Depression. While the W.P.A. created large public works such as roads, parks, and schools, it also operated handicraft projects aimed at teaching women skills such as sewing. The Milwaukee W.P.A. handicraft project produced dolls designed to be used as teaching materials in schools, as well as for children in hospitals or as Christmas gifts for children on the relief rolls. This dress was designed to be worn by a cloth doll.


















 

Friday, October 3, 2025

September 14, 2025, Meeting

Sharon Weintraub did a program on wind-up carnival dolls by Zaiden Toy Works, including demonstrating working examples from her collection.  In 1922, Zaiden advertised a variety of mechanical dolls, including a doll who “shakes and shimmies to beat the band,” a doll who reproduces the “Hula Hula dance,” national dolls waving the flags of their respective counties, a Spanish dancer with castanets, a Salvation Army lass shaking a tambourine, and a nurse rocking a baby in her arms. David Zaiden was granted at least seven patents for mechanical dolls and toys between 1921 and 1922.  Zaiden advertised that its dolls were made of the “famous Zaiden Wood Fiber Compound, with high celluloid enamel finish.” When found in good condition, the dolls have a smooth shiny finish.

A March 8, 1922, advertisement by Zaiden featured seven dolls, which it declared are only part of the company’s “Sixteen new mechanical numbers.” One doll was dubbed Salvation Nell” and dressed in a Salvation Army uniform. This example has a one-piece composition head and torso and lower wooden arms and metal hands, but the upper arms, hidden under the dress, are simply flexible wire. When wound by a key jutting out of her lower back, Nell vigorously shakes her tambourine. Originally Nell turned in a circle as well but the loosening of her legs over the time dampened her dancing ability. The doll’s name may have been inspired by the popular song, introduced in 1913, entitled “Salvation Nell”-- There’s a girl of sweet seventeen, always has a tambourine. Heavenly grace, heavenly face, ‘neath a bonnet with “Salvation” on it. Every fellow living in town thinks she’s mighty swell. Every night they gather around sweet Salvation Nell.


Zaiden used this same mechanism for other models, including this “Nurse Girl,” who, instead of playing the tambourine, rocks a little baby doll. The ad called her “The mother of them all.” 


On March 13, 1922, Zaiden filed an application for a patent for a “mechanically operated dancing doll adapted to perform rhythmic movements in simulation of Eastern and South Sea Island dances.” The mechanism allowed the doll to appear to roll her belly while simultaneously shimmying her chest. One version of this doll was sold as “Bimbo,’’ a South Sea dancer. The name may have come from the popular 1920 song, “My Little Bimbo Down on the Bamboo Isle,” with the chorus, “I've got a Bimbo down on the Bamboo Isle, She's waiting there for me, beneath the bamboo tree. She's got the other Bimbos beat a mile. She dances gaily, daily, Oh! She plays a mean ukulele.” Bimbo must have been a popular product, as she its found in several sizes and skin tones. 



The same mechanism appears in this doll in a Middle-eastern outfit. It came with the remains of her original box which dubbed her “Turkish.” 


On May 9, 1921, Zaiden filed for a patent for mechanical doll that would shimmy her hips in simulation of the Hawaiian hula. In the example, a rod through her hips shimmies, shaking her fringe skirt,


Other companies produced hula dancing dolls, such as this example by Progressive Toy Company. In this doll the skirt is fastened to a ring that raises and lowers the skirt as it shimmies.

 
Sharon noted that few of these dolls survived, especially in working condition. They were cheap carnival
prizes and typically were discarded when their mechanisms jammed or their composition began to flake.

Continuing the carnival theme, Myrna Loesch shared this bright blue poodle, a childhood gift from her father. She told the club that her father was the auditor for the local county fair that took place in the city park and brought it home to her from the carnival. Myrna said that the little bisque flapper doll in the pink boa was made inn Japan and she brought it because it looked like the type of doll people won at a carnival. 

Sylvia McDonald brought the clown doll, made by the company Show Stoppers. 

The little girl in pink belongs to Pam Hardy. She is a hard plastic Muffie doll by the Nancy Ann Storybook Doll Company. Pam told the club that as a child she saved her money so that she could buy this doll.


David Craig shared this lovely lady by JAMIEshow USA, which is wearing a bathing outfit that belongs to a Gene doll. He told that club that this model is called Edie.


Bette Birdsong brought this wind-up crawling baby.


Jenell Howell shared this vintage Ginny wearing a cute outfit known to collectors as the "pencil dress."


She also brought this set of comic nodders made in Japan. Originally, these nodders were made by the German firm of Hertwig and Company, which called them "lachender junge" (laughing boys). The Japanese entered the bisque doll and novelty market during WWI when German toys were embargoed, often directly copying German models, and continued through the period between the wars. The Japanese knock-offs were of poorer quality than the original German pieces, but they were also a lot less expensive and the spread of 5&10 cent stores through the United States offered a ready market for the cheaper Japanese goods.


Ann Meyer shared this Raggedy Ann doll that was made by her daughter's grandmother. 


Jan Irsfeld brought this Cissy doll that she had found nude in a doll shop shortly after she moved to Austin. Jan told the club that she fell in love with the doll's face, but has never been able to identify the model. She made the dress, which is a copy of a Cissy dress she saw in a catalog. 


Nancy Countryman brought a variety of dolls. The male doll in the back is Malibu Ken by Mattel. The doll in the pink hat is composition. Nancy said that the two plastic dolls with the elaborate hats remind her of Carmen Miranda. The cloth doll in green may be from India.  































Sunday, August 31, 2025

August 10, 2025, Meeting

This meeting was a special celebration--the 50th anniversary of the Austin Doll Collectors Society. United Federation of Doll Clubs director for Region 3 Karen Allen attended and awarded the club with this certificate:


Members celebrated with punch, ice cream, and this special, and very appropriate cake (there was a miscommunication and the cake actually says "40th Anniversary," but it was delicious nevertheless). 


Members were asked to bring a doll that started their collecting or had special meaning to them. Jenell Howell brought this "Mabel" doll by Armand Marseille. . .


. . .and this doll by Simon and Halbig. She told the club that the dolls had belonged to her great-aunt. When Jenell was 12-years-old, her great-aunt showed the dolls to her and Jenell was fascinated by the dolls and the family history. She was told that the Halbig was displayed in a store window during WWI, but no one would buy German goods. Jenell's great-grandmother walked by the store window daily and although she admired the doll, she would not buy it. The day armistice was declared, Jenell said that her great-grandmother went to the store and bought the doll. The dolls were both dressed by her great-grandmother.


Myrna Loesch brought two childhood dolls. She got this Horsman Cindy doll for Christmas when she was about 21 months old.


Myrna received this Lissy by Madame Alexander in 1956.


Bette Birdsong shared this china head doll.  Bette told the club that when she was in the 6th grade, she visited some relatives and saw a Minerva metal head doll on a cloth body with china limbs. She declared that she wanted the doll and subsequently received it for her birthday. Years later there was a fire at her parents' house and although the doll's head was lost, Bette was able to salvage the body. Later she found a  beautiful antique china head in an antiques shop and the head fit the body she had saved.


Sylvia MsDonald told the club that this plastic baby by Hollywood Doll Manufacturing Company was the first doll she bought for herself as a child.


This Nancy Ann Storybook Doll was another childhood doll of Sylvia's. The doll portrays Goldilocks and was given to her as a gift.


Jan Irsfeld said that when she was a child she saw a picture of Cissy by Madame Alexander in a catalog and fell in love. Instead, her parents bought her a Dollikin by Uneeda. As an adult, Jan bought and restored this vintage Cissy and made her a dress that was a copy of the one she had seen in the catalog. The flowers on the tulle were all hand painted by Jan.


This composition doll was a childhood doll of Nancy Countryman and wears the dress Nancy made her.


Another childhood doll of Nancy's, inherited from a cousin.


She also brought this vintage Barbie by Mattel. Nancy said that she started to collect Barbie dolls in 1962. However, the first Barbie doll she purchased was a Christmas gift for her five-year-old son. Nancy explained that she was a school teacher and had to work late on Christmas Eve. Most of the stores were already closed and the only toy she could find was a Barbie doll. She bought it for her son, telling him that the doll was for his G.I Joe dolls to date.


Ann Meier shared this Madame Alexander Portrette doll in her original trunk, filled with all sorts of hats and accessories. The doll and trunk are entitled "Mrs. Malloy's Millinery Shop." 


David Craig displayed this Tiny Kitty by Robert Tonner. He told the club that the doll's beautifully-made clothing reflects his love of fashion from the 1950s and 60s.


Elaine Jackson brought her childhood Toni doll.  When she was 10 years old, Elaine's mother told her that Santa could bring her either a new bicycle or a Toni doll.  Elaine could not decide which she wanted and Christmas day found she had a new bike. After Christmas, her mother took her to the store and using money saved from her allowance, Elaine bought her own Toni doll.  Even though the doll was on sale, Elaine did not have enough money, so her mother helped her pay for it, but afterward deducted the debt from Elaine's allowance.  


Elaine had also recently acquired this wooden ballerina carved by Austin artist Nancy Grobe. Grobe, who was once a member of our club, eventually had to give up carving because of arthritis and became a skilled painter. Elaine said that this doll is one of Grobe's early creations.


Pam Hardy shared this Bye-lo baby. She told the club that she had always wanted a Bye-lo and had said that when she finally acquired one she would stop collecting. Instead, she ended up joining our club.


Sharon Weintraub displayed two dolls from her collection. When she was around 10 years old, she went to visit some relatives in Florida, including an aunt who collected a wide variety of antiques, Sharon was fascinated by the aunt's collection and when they left, the aunt gifted her a low brow china doll head. Sharon started checking out books about dolls from the library to learn more. Sadly, later the head was broken when a shelf was moved. The family was going on vacation to Portland, Maine that summer and Sharon's mother said that they would go antiquing and look for a doll to replace the broken head. The little doll in brown by Armand Marseille was found in a Maine antique shop. Shortly afterwards, the great-aunt of a friend of Sharon's was moving into a retirement center and wanted to find someone to take her two childhood dolls, a Simon and Halbig shoulder head doll on a kid body (the doll in the antique black dress) and a Florodora doll by Armand Marseille. These became the second and third antique dolls to join Sharon's collection.