dollshow

dollshow

AUSTIN DOLL COLLECTORS SOCIETY

The Austin Doll Collectors Society is an organization of antique, vintage, and modern doll collectors, dealers, and artisans. We meet on the second Sunday of each month and our meetings are fun and educational. We begin with refreshments and socializing, and, following our brief business meeting, there is a special doll-related program and "show and tell." The Austin Doll Collectors Society is a nonprofit organization and is a member of the United Federation of Doll Clubs.

Monday, March 30, 2020

Home Sweet Home

With so many of us staying close to home these days, this is a good time to explore Kara Lee Bell's delightful dollhouse.  She created the lighting using are $1 headlamps from Walmart, held in place by velcro.


She already had this itty-bitty baby doll, who fit perfectly into the wee walker.


The other residents are dolls inspired by the computer-animated series Spirit Riding Free, produced by DreamWorks Animation Television.  Not only are the dolls the right scale, they have jointed knees and can even hold things! 









Tuesday, March 24, 2020

Oh Baby!

A second entry in the Austin Doll Collectors Society's virtual doll meeting challenge.  With events and meetings cancelled, social distancing, and many people staying close to home, our members are urged to engage in a virtual meeting by sharing their dolls and doll-related activities on-line.

This bevy of beautiful bisque-headed baby dolls belongs to member Sylvia McDonald.  The first doll on the left is from the Japanese firm of Morimura Brothers.  When German doll exports were interrupted during WWI, the Japanese entered the doll market, often directly copying popular German bisque dolls.  The doll next to him was painted by Rebecca Clay Stewart and has a Real Seeley body.   The next two babies are German.  The one with a cap covering his bald dome head is by Hertel Schwab and the brunette baby is Mold 750 by Armand Marseille.  Sylvia says that the sweater worn by the Armand Marseille doll was made for her childhood dolls by her grandmother and is probably 70 to 75 years old! 


Saturday, March 21, 2020

Wee Wooden Doll

With events and meetings cancelled, social distancing, and many people staying close to home, the Austin Doll Collectors Society has challenged its members to engage in a virtual doll meeting by sharing their doll activities on-line, from rearranging their collections, showing off their repair or redressing projects, or simply displaying their latest treasure.  We start off with this marvelous miniature belonging to member Sharon Weintraub.

Just 2.75 inches high, this diminutive wooden doll is jointed at the hips, shoulder, elbows, and knees.  The little guy came in an old New Haven watch box with the fragile fragments of his original suit of aqua silk trimmed with tiny tarnished golden cord; all that remains intact is a cream silk shirt front, lace underpants, and his delightful hat. This type of antique jointed wood doll is most likely from the Grodnertal region of Germany and dates from the early to mid-1800s.  Collectors sometimes refer to these dolls as "peg woodens" because of the wooden pegs allowing their joints to move.  He is what some collectors call an "alien head," as his head appears to be molded papier mache or composition instead of carved wood. 


Friday, March 13, 2020

March 2, 2020, Meeting


Member Myrna Loesch did a program on vintage Elise dolls by Madame Alexander.  Her source of information was The Elise Files by Kiley Ruwe Shaw.  Myrna told the club that in 1955, Madame Alexander introduced Cissy,  the first American fashion doll with an adult figure. Two years later, in 1957, Madame Alexander introduced Cissette, a miniature 10-inch tall version of the 20-inch Cissy, and the 16-inch Elise.  Elise was a softer, more youthful version of Cissy with a teenage body. Madame Alexander knew that the popular dolls of the day were brides and ballerinas. Elise was the first doll produced by Madame Alexander that had jointed ankles, which allowed the doll to pose in numerous ballet positions.  At FAO Schwartz, an Elise dressed as a ballerina retailed for $12.95 and as a bride for $15.95.  By comparison, a Sweet Sue 14-inch walker with jointed ankles like Elise sold for $8.97 to $11.97 at Sears.  A trunk set at FAO Schwartz for Elise sold for $42.50 while a trunk set for a comparable doll at Sears sold for $17.95.  A basic Elise doll in a chemise sold for $8.50 in 1957.

Elise was sold from 1957 to 1964. The early Elise dolls had wide or saddle hips as they were walkers. Later Elise dolls had narrow hips and were completely strung with elastic. Madame Alexander used several different molds. All of the vintage Elise dolls had the multi-jointed bodies. The earliest version of Elise had a painted head with a softer blush.  In 1957, the company transitioned away from painted heads to infused plastic heads with the skin tone mixed into the plastic and a “high color” blush. In 1959, a new face was introduced for the Sleeping Beauty doll, which was made for only one year. Around 1960, the infused plastic heads appeared a bit more translucent, almost waxy, and had a softer chin. The 1961 infused plastic head had a more mature look, but as the company was using up their stockpile of heads, many of the previous variations can be found with the “1961 look”. The Maggie Mixup doll used the 1961 Elise face, but came with a red wig with straight bangs and always had freckles. In 1962, the vinyl “Marybel head," a smaller version of the Kelly doll head, was introduced. The 1963 to 1964 vinyl head Elise was the last head produced for the vintage Elise doll. 

The vintage Elise dolls had saran wigs with a cloth wig cap. The early dolls largely had a curled bob or hair from the sides pulled back and held in place with a metal spanner bar in blonde (tosca), brunette, or redhead.  In 1961, a short-styled  bubblecut wig was used.   The 1962 Marybel head had a blonde or brunette wig styled in the manner of Jackie Kennedy’s hairstyle. 

As Elise was a teenager, her wardrobe contained fewer evening gowns and focused more on a wide range of day wear.  Elise’s clothing was beautifully constructed of the high-quality materials that Madame Alexander is known for.  The wardrobe included bridal, evening, and garden gowns, ballerina outfits, an assortment of dresses, and various lingerie items as well as an assortment of separates. Elise portrait dolls included Sleeping Beauty, Godey, Queen Elizabeth II, Renoir, and Scarlett.  Elise’s clothing is identified by a label sewn into the clothing; however, not all pieces are tagged. The printing on the tags is red, yellow, or blue, with “Elise” in script. It is not known if the color of the tag was random or if it was tied to distribution. The type of script used in the last tags from 1960 is different and Elise is followed by an asterisk with no quotation marks. 

Original shoes for Elise came with spike heels for when her feet were arched and kitten heels for when her feet were not. The spike heels were used under formal and bridal gowns, as well as with some dolls sold in day dresses.  Shoes are hard to find for Elise as she was often sold as a ballerina wearing dancing slippers; however, reproductions are available on eBay and Etsy.  Elise also had a wide variety of hats which either came with an outfit on the doll or were sold separately.  Madame Alexander’s hats were largely made of synthetic straw with flowers and ribbons attached with small staples instead of glue.  Hats for Elise are approximately 6 inches across with the crown opening measuring 3 inches or less; the outer brim measures 17 inches around. 

Elise’s size of 16-inches made her a tricky sell in the doll market as most inexpensive clothes were designed for the 14-inch or 18-inch tall dolls. The 20-inch Cissy could wear clothes that fit Sweet Sue, Miss Revlon, and numerous other dolls.  Patterns were also readily available for 20-inch  dolls. Ultimately, it was the entrance of the 11-inch Barbie fashion doll with a price tag of $3.50 that was the demise of Cissy, Cissette, and Elise.   1964 was the last production year for the vintage Elise.















(Thanks to Ann Meier for the photographs!)